• If you start with a bang, you won't end with a whimper.
    T.S. Eliot
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Randolph Lundine Writing Prompts

Writing prompts, news, information, and resources to help expand your writing community, hone your writing habits, and to waste time in a way that feels like you're working on your writing.

Just Write (52)

There was yet more snow when I woke up this morning. And that flat, grey light that signals winter. I know I should not be surprised to find winter outside my door in February. I've lived on the plains long enough to know, damn groundhog or no, winter will consume most of March too. But we have cruel little pockets of warmth and sunshine that are so deceiving. Days that breed hope. Days I pull my sandals out of storage and take long walks, thinking spring is coming. And then there's snow when I wake up.

So for me, please, please write about somewhere warm today. A beach. The desert. Mars. Just make it downright hot. Poem, research project, romance---doesn't matter as long as the locale is steamy and has a starring role in the piece. Bonus points if you include a very cold editor from Nebraska. 

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Just Write (51)

You might have noticed I love Natalie Goldberg. I am a woman obsessed with words and yoga, which places the wise Ms. Goldberg at roughly the intersection of my obsessions. 

Today's writing prompt comes from her new book, The True Secret of Writing: Connecting Life with Language, which you should all go buy. Using a passage from William Kennedy's novel Ironweed about kissing (in which he catalogs kisses and then zeroes in on a specific kiss), Goldberg offers this gem:

"Let's consider the structure Kennedy gave for the kiss. First examining the different types, then plunging into the real experience. Let's pick something we have a passion for--a football player, our last lover, a cup of coffee, a thick shake, snowboarding, peace, lips, knees.

Let's do it like he did. First categorize it. For instance, what different kinds of running shoes are there, how do the work--what can you say new about them? Then pause, let it rip--tell us about a specific pair, yours. Where have you been with them, why, what, who--throw in the whole universe, what it's like to run, walk, to have a foot, to be on pavement, grass, tennis court. Break down category, idea, boundary. Follow your own trail out into the rain."

*The Kennedy passage comes from page 155 of the paperback edition at Goldberg's library; the chapter, "Kiss," begins on page 95 of Goldberg's book and includes the Kennedy passage.

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Just Write (50)

Today's writing prompt is our 50th, which I decided justified a bit of a repeat. We've written before about the newspaper (yes, I'm that much of a luddite--I still like my news to be paper-y) as a source for inspiration, regardless of your writing style or genre. I was reminded of this yesterday as I read about intrigue and bad behavior in the world of chess that includes  "a former world chess champion, now a Russian opposition leader; a former president of an obscure Russian republic who believes that he was abducted by extraterrestrials in yellow suits who invented the game of chess; and an ex-fashion photographer turned chess official." It just doesn't get better than that.

Here are five stories (in their non-paper format) to get your creative juices flowing, but I'm sure your morning paper has at least one more:

http://www.nytimes.com/2014/02/09/world/europe/as-rivals-vie-to-head-chess-federation-gambits-include-corruption-charges.html?_r=0

http://www.dailycamera.com/news/boulder/ci_25085652/man-arrested-drunken-horseback-case-fails-appear-boulder

http://articles.chicagotribune.com/2014-02-06/news/chi-stradivarius-theft-arrest-20140205_1_stolen-stradivarius-violin-antonio-stradivari-stun-gun

http://www.dailymail.co.uk/news/article-2487040/Serge-Llama-kidnapped-drunk-French-youths-Bordeaux-France.html

http://www.smh.com.au/nsw/exposed-con-artists-brilliant-career-spent-swindling-solicitors-20140202-31uzh.html

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Just Write (49)

Short and probably not sweet...today's writing prompt:

Write a letter from a forty-five-year-old Lolita to an elderly Humbert Humbert about the way he destroyed her childhood.

--from 642 Things to Write About (Chronicle, 2011) by the the San Francisco Writers' Grotto

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Just Write (48)

This week's writing prompt is for all of my scholarly friends out there (though it wouldn't hurt you fiction folks to try your hand at it). Most of you are likely up to your eyeballs in a research project. Hopefully it's something with which you are obsessed, or it's going to be a long slog; regardless, there are always days we wish we chose differently. Today is your chance to dive into that fantasy.

Put your all-consuming and brilliant project off to the side. Make a list of five of your favorite unserious things that have absolutely nothing to do with your academic pursuits. Be specific; rather than music, list "All Her Favorite Fruit," for example. Choose one of these items and write a really great, fairly brief paper on this topic. Imagine a conference of awesomeness and this is your panel. 1500 words should do. 

ps..should anyone actually choose "All Her Favorite Fruit," I'm going to need to read that.

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Just Write (47)

Today's writing prompt seems appropriate as I lay bed with my fourth cold of the season...

 

Deja Vu

Write a short sketch of a scene in which a character has an experience that causes her to recall a startingly similar past experience. Juxtapose the present scene and the past scene on top of each other, writing, for instance two or three sentences of the present moment, then alternating back and forth between present and past that way. You could show the reader the remembered scene by use of italics. Why would a character be haunted like this? Think of a convincing reason for the deja vu experience--don't tell it but make the reason a basis for the details. Or don't worry too much about convincing reasons--just let a strange set of events impinge on the present moment of your character. Be playful with the relationship. 500 words

--The 3 A.M. Epiphany: Uncommon Writing Exercises that Transform your Fiction, Brian Kiteley (Writer's Digest Books, 2005)

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Just Write (46)

Tis this season to resolve. Since most of you are resolving to write more, we thought today's writing prompt could help. Craft a list of unusual resolutions, invented or real. Let them be a jumping off point--for a poem, a new short story, an essay--or perhaps the list is the story.

If you are working on a nonfiction or scholarly piece--did your subject make any resolutions? Could you imagine what their list may have included? Was there such a tradition in the time/country/culture in which your story takes place? Alternatively, make a list of resolutions for your project (I will use fewer adverbs. I will research 17th century weaponry. I will write every morning. I will avoid jargon).

If you need a bit of inspiration, check out this great list of unusual resolutions including my favorites from Woody Guthrie: "Don't get lonesome. Stay glad. Keep hoping machine running. Dream Good"

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Just Write (45)

We are belly deep into the season of excess. Booze, fun, family, food...not much comes in small doses this time of the year. This cruel exercise from Ursula Le Guin is an antidote to glut. It won't help you make it through the last holiday hurrah, but it will keep your writing lean. Salut.

A Terrible Thing to Do

Take one of the longer narrative exercises you wrote...any one that went over 400 words--and cut it by half.

If none of the exercises is suitable, take any piece of narrative prose you have ever written, 400-1000 words, and do this terrible thing to it. 

This doesn't mean cuttin a little bit here and there, snipping and pruning--though that's part of it. It means counting the words andreducing them to half that many, while keeping the narrative clear and the sensory impact vivid, not replacing specifics by generalities, and never using the word "somehow."

If there's dialogue in your piece, cut any long speech or long conversation in half just as implacably. 

--Ursula K. Le Guin, Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew (1998, Eight Mountain Press)

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Just Write (44)

We had our first real snow yesterday. Despite the fact that it came with words you never want your weather person to say ("arctic" and "bitterly cold," for example), it was beautiful. Bare trees limned in white and holiday lights dusted with snow are always a bit magical. "Silent Night" becomes a perfect song. Everything seems new and possible, especially when you are hypothetically still in slippers and sipping warm beverages.

For this week's writing prompt, let's take that sense of possibility as our jumping off point. Write about a clean slate, a do-over, real or imagined that was like waking up to a new snow. What twist of fate freed your character from imminent doom, ruin, or sorrow? What does their clean slate look like? How do they greet it, cherish it, or abuse it?

 

 

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Just Write (43)

It's been a long weekend. One filled with cream, butter, and far too much cheer. Our brains are fuzzy and our bellies still so very full. We need a straightforward assignment today. Maybe it will lead to writing, or maybe it's just some roughage for the brain: 

Make two lists:

1. Everything you know about your subject

2. Everything you want to know about your subject

--from Monica Wood, The Pocket Muse: Ideas & Inspirations for Writing (Writers Digest, 2002) 

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Just Write (42)

I woke up in a complete state of panic today. It wasn't a looming deadline or forgotten meeting that sounded warning bells in my sleep. It was pie. Pie. I was momentarily overwhelmed by the pie-making, turkey-brining, grocery-shopping insanity that lay before me (alongside that looming deadline).

To make my pastry insanity more helpful, I offer it up as today's writing prompt. Imagine someone who goes just a teensy bit nuts preparing their feast of gratitude. What drives them? What does their day look like? Do they secretly know it's not worth it? (My pies, by the way, are totally worth it--not that this should sway your creative process). 600 words.

*this gorgeous pie picture comes from www.smittenkitchen.com, who also suffers from pastry insanity. If you are looking to develop a similar compulsion, I highly reccommend her Pie 101 & 102

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Just Write (41)

A (mini) Research Project

Select an object you interact with daily--be it Moleskin, neti pot, toaster, or pencil sharpener--and uncover its history. Pretend I live in a cave and have never heard of this device you call the Q-tip. Who made it? Why? How? Has it changed over time? Keep it fairly brief, interesting, and include a human element. Try to avoid Wikipedia. 800 words maximum. 

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Just Write (40)

A Picture is Worth....

Let's start with a picture this morning. Any picture will do. For those of you enmeshed in a project, choose an image you've discovered in the course of your research, or one that has inspired you. Describe the image and how it came to exist. What is the story behind it? Who are these people? What brought them together? Use creative license here--the goal is not to exactly recreate the history of the photograph, but rather to bring it and its subjects to life. For those of you engaged in a serious research project, this recreation can help you dive into your subject's world, even if this flight of fancy has no place in your final project. Is it wrong to say 1000 words?

 

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Just Write (40)


This week's writing prompt comes from Amy Peters who offers some perspective for those of you faced with shady characters. The issue of a character's likability has a vicious cycle, as the latest Claire Messud kerfuffle reveals. While it may impact a novel's reception, likability also becomes an issue for nonfiction writers. I've been told by several writers of serious nonfiction that they turned away from projects because they discovered they really didn't like their subject. Peters suggests here that often it's these unlikable characteristics that make your subject most interesting: 

 

The most interesting person that I have ever met...

Often, the most interesting person you know may not be someone you like or even respect. No one knows this better than Robert Caro, award-winning biographer of both Robert Moses and Lyndon Johnson. Caro was drawn to the stories of powerful men. In his words, he felt compelled to expose their less-than-ideal sides: "To show power truly you not only have to show how it is used but also its effect on those on whom it is used. You have to show the effect of power on the powerless."

For this prompt, see if you can discern the difference between someone you admire and someone truly interesting. You might find these two features overlap. Or, you might discover that the most interesting fact about the person you have a high regard for is his or her less less-than-admirable qualitites. 

--Amy Peters, The Writer's Devotional: 365 Inspirational Exercises, Ideas, Tips, and Motivations On Writing (2012 Sterling)

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Just Write (39)

Today seemed like a good day for a re-writing prompt. This one is drawn from William Zinsser's On Writing Well.  All nonfiction writers should have a dog-eared copy of this classic guide. While his advice skews toward the journalistic, all writers can benefit from it.  I often recommend it to academic writers, as much of his advice attacks unclear language--something in which scholars are often drowning.

On this Monday morning, let's set our sights on one of those clarity-destroying imps of language, which Zinsser calls:

Little Qualifiers.

Prune out the small words that qualify how you feel and how you think and what you saw: "a bit," "a little," "sort of," "kind of," "rather," "quite," "very," "too," "pretty much," "in a sense," and dozens more. They dilute your style and your  persuasiveness. 

Don't say you were a bit confused and sort of tired and a little depressed and somewhat annoyed. Be confused. Be tired. Be depressed. Be annoyed. Don't hedge your prose with little timidities. Good writing is lean and confident....The large point is one of authority. Every little qualifier whittles away some fraction of the reader's trust. Readers want a writer who believes in himself and in what he is saying. Don't diminish that belief. Don't be kind of bold. Be bold.

 

Choose a chunk of your current writing project (some discrete portion, be it chapter, section, or article) and drive out these quiet destroyers of authority. To Zinsser's list, please add "perhaps," "maybe," "might," "possibly," and all of their kin. You'll be left with something leaner, tougher, and more direct--as if your chapter woke up and discovered it was Dirty Harry. 

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Just Write (38)

I entered a new world this weekend.

One of the hats I wear involves lots of beer. As part of my professional responsibilities, I had to spend the weekend at the Great American Beer Fest in Denver.  Over three days, 49,000 peopled descend on the convention center to drink 2700 beers from 580 breweries. This is roughly like stumbling into the illegitimate offspring of Mardi Gras and a trade show. With lederhosen. 

While I drink a lot of water and detox, you all should try this writing prompt:

Imagine a world within a world--something that could or does actually exist--and use it as the setting for your writing this morning. What are the rules, ethics, and rituals of this world? Are there costumes, outfits, or pretzel necklaces? Create this unique realm for your reader, allowing them to see the complexities at work, to smell and touch the weirdness of these little pockets within our big culture. 600 words should do just fine. 

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Just Write (37)

We have developed stratospheric tendencies towards hyperbole in contemporary language. Descriptions land squarely at the awesome or horrific ends of the experience scale, without ever visiting the just fine middle. This can give the impression that well and good are no longer acceptable. It also belies the truth that the average person is pretty darn lucky to dwell in the land of fine, even if it means they never touch the stratosphere. 

Naturally this leaks into writing. There are few novels about the slow grind through teen boredom and angst, for example. Holden Caufiled would need to turn into a zombie to find a starring role in today's bestseller. Even in more serious-minded nonfiction, character profiles tend toward the hyperbolic ends of the spectrum; most are works of hagiography or condemnation, with few uncovering that complex middle ground. 

So for this Monday writing prompt, we're staging a coup de fantastique. Whatever your genre, pick a very average person and describe their very average day, or their very average existence. Is there still something profound or beautiful in that quotidian existence? Can something powerful happen in a day or a life in which nothing powerful happens? This is not a license to be boring--just find a little quiet on this fall morning. Keep it to 300 words. 

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Just Write (36)

A participant in my workshop this weekend wisely pointed out that these weekly prompts and exercises skew heavily toward the creative. While I hope that writers will bust out of their disciplinary shells as much as possible, she was clearly right.

The reason for this is fairly simple--there is just way more out there for creative writers than for scholarly ones. I imagine this is largely because academic writers have long been considered oblivious to things like writing craft or style. I would like to leap onto a very sturdy soapbox and declare this a gross and misinformed prejudice, but it contains a kernel of truth. And that kernel is why I urge scholarly writers to adopt some tactics from their creative writing brethren.

So once again, my scholarly birds, focus on your writing and start by taking any exercise from our site and making it yours. Tweak it to fit your genre, but also try a few that take you into unfamiliar territory. Stretch and strain your writing muscles, and maybe it will help you find that elusive crossover audience. 

But not today--today is all about you: 

Go to your over-burdened book shelf, perhaps the one that your spouse asked you to move to your office for fear the children would die beneath a pile of tomes, and pull down the two books you think are the most well written. Why are they your favorite? What about them do you admire? Is it the writers' tone, language, or perhaps the way in which they convey information? What is the primary story being told? Can you identify an overarching narrative arc? Is there anything you'd cut? Add? Be specific, brief, and precise, but remember this is not a précis--focus on the story and the writing. 

Are your answers about both books similar? Without focusing on specific content, how would you answer these questions about your own work? Can you glean anything from the style and flow of your favorite books that can help you shape and hone your own work?

--inspired by Susan Bell and her lovely book, The Artful Edit

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Just Write (35)

I've been working on a presentation about book proposals all weekend (which you should go to next Thursday, if you are lucky enough to live in Colorado Springs) and it has me once again thinking about concise and precise language.

All too often I've read the first page of a book proposal only to realize I have no idea what the subject of the book will be. This makes me  stop reading. I know you want to think this is not true, but I'm actually being a little soft about it.... Editors and editorial assistants simply have too much to read and you are officially wasting their time with your beautifully crafted but long-winded description of what your book will not be about, or what inspired you to write it, or the setting...

What you really need is the written equivalent of the elevator speech--your proposal should briefly and quickly tell a reader what your book is about, preferably within the first paragraph. As one of the acquisition editors I consulted puts it: 

"Even if [authors] plan to take a more literary approach in the manuscript itself, a proposal should tell me -- in as straightforward and honest a fashion as possible -- what the thing is about, ideally in an introductory couple of sentences.”

 Of course you still want to write well, convey a bit of yourself, and offer a hint of what a reader will find in the full manuscript. It's a tall order, I know, but you can do it. I have faith in you. And just imagine you happen to be in the elevator with Michael Chabon at the next AWP...wouldn't you love to tell him all about your book before he can escape? So, finally (why are my entries about brevity are always so very long?), here's your Monday morning writing exercise:

 Without using any existing language from your manuscript, describe your book's subject in no more than three sentences. If you feel overly ambitious, craft a paragraph around these three sentences. And since I'm in a book proposal state of mind, if you post them in the comments, I'll ruthlessly offer my assessment of them. 

 

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Just Write (34)

Mondays are the day that my Sunday sloth gathers enough speed to collide with my always overflowing mound of to do items. Where once a sticky note or two could contain the things to which I need to attend, I now find myself making full checklists, complete with hand-drawn boxes to be marked when I complete a task. I set an alarm on my phone to remind me to let the chickens out of their coop. This is what has happened to me. With the sneaking suspicion that you too might have a bucket fulll of "dear god, I must get all of this done," we've borrowed a list themed writing prompt for you this week:

"Listful

Write a story that is a list. A story that relies on the list as its form or operating metaphor can be dandy. A grocery list that includes a wife's complaints about her husband's slothful habits is one example. You might also write about collections that appear on your own or friends' shelves--books, DVDs, videos, CDs, records, trophies, glass figurines--some commentary on the nature of this is acceptable, but don't get carried away explaining the contents. Stick to the notion that this list is a list as much as you can--not a list that devolves into a traditional story. 600 words."

--Brian Kiteley, The 3 A.M. Epiphany: Uncommon Writing Exercises that Transform Your Fiction (Writers Digest Books, 2005)

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